Early Work, Studies & Commissions
Paintings, studies & commissions, 2008–2022
Selected Early Work 2008–2019
Early phase 2010–2014
Early figurative oil works 2015–2019
Selected Old Masters Studies 2018–2021
Selected Commissions 2018–2022
Works made on commission
Nashorn
Acrylic on canvas
Format180×140 cm – 2011
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Amber the Elephant
Acrylic on canvas
Format70×50 cm – 2012
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Kling Klong
Acrylic on canvas
Format160×40 cm
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Goldbild
Acrylic on canvas
Format105×125 cm
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Weibliche Abstraktion Teil III
Acrylic on canvas
Format90×90 cm
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The sitters selected and painted their own shoes; the position of the feet was fixed and identical for all.
Progressive Inferno Pt. 1
Acrylic on canvas
Format160×40 cm – 2012
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Busenbild
Acrylic on canvas
Format160×40 cm
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Bist du brav oder traust du dich
Acrylic on canvas
Format120×80 cm – 2011
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Medusa in der Pause
Acrylic on canvas
Format120×80 cm – 2011
Available
The sitters defined their positions and executed the Medusa heads themselves; only the ribbons were pre-arranged.
Systemisches Abendmahl
Acrylic on linen
Format180×120 cm – 2010
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Thirteen women, roles drawn by lot, each choosing her own place in the picture.
Paquet de Paris
Acrylic on canvas
Format80×50 cm – 2014
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Eine Nacht am Meer
Acrylic on canvas
Format160×110 cm
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No lots: each sitter arrived alone and determined her position by her felt relation within the image.
Die Liebe stirbt nie
Oil on canvas
Format160×40 cm – 2013
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Der rote Hut
Oil on canvas
Format85×50 cm – 2013
Available
Fibonacci Tube
Oil on canvas
Format55×90 cm
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Erkenntnis
Oil on canvas
Format120×55 cm
Available
The sitter chose the pose and sustained it beyond comfort; the resulting sheet was jointly selected and painted.
Farbe auf Leinen
Paint on linen
Format63.5×87.5 cm
Available
The Destruction of the Ego
Acrylic on canvas
Format100×50 cm – 2012
Available
Wasser trinkendes Mädchen
Oil on canvas
Format90×55 cm – 2015
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If i was a butcher
Oil on linen
Format80×55 cm – 2017
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You Have to Read the Picture Like a Poem
Oil on canvas
Format70×90 cm
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Serge Kirchhofer Projekt
Oil on canvas
Format
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Wer nicht hören will muss fühlen
Acrylic on passepartout
Format120×80 cm
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Study after Beccafumi — Aaron Making the Golden Calf
After Domenico Beccafumi · Aaron Making the Golden Calf · 1529–31 · Pinacoteca Nazionale di Siena
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Tintoretto — Miracle of the Slave
After Tintoretto · Miracle of the Slave (St Mark Freeing the Slave) · 1547–48 · Gallerie dell'Accademia, Venice
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Joos van Winghe — Apelles Painting Campaspe
After Joos van Winghe · Apelles Painting Campaspe · c. 1600 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Rubens — The Assumption of the Virgin Mary
After Peter Paul Rubens · The Assumption of the Virgin Mary · c. 1611–14 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Rubens — The Miracles of St Francis Xavier
After Peter Paul Rubens · The Miracles of St Francis Xavier · 1617–18 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Rubens — The Miracles of St Ignatius of Loyola
After Peter Paul Rubens · The Miracles of St Ignatius of Loyola · 1617–18 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Rubens — The Rape of the Daughters of Leucippus
After Peter Paul Rubens · The Rape of the Daughters of Leucippus · c. 1618 · Alte Pinakothek, Munich
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Jordaens — The Satyr and the Peasant
After Jacob Jordaens · The Satyr and the Peasant · c. 1620–21 · Alte Pinakothek, Munich
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after van Dyck — The Capture of Samson
After Anthony van Dyck · The Capture of Samson · 1628–30 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Michaelina Wautier — The Triumph of Bacchus
After Michaelina Wautier · The Triumph of Bacchus (Bacchanal) · c. 1650–59 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Michaelina Wautier — The Triumph of Bacchus (II)
After Michaelina Wautier · The Triumph of Bacchus (Bacchanal) · c. 1650–59 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Study after Guido Cagnacci — The Death of Cleopatra
After Guido Cagnacci · The Death of Cleopatra · c. 1661–62 · Kunsthistorisches Museum, Vienna
Studied not to copy but to read; what holds the image lies beneath what it shows.
Portrait of Ruth and Rudolf
Oil on canvas
Format50×60 cm
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Portrait zweier Brüder
Oil on linen
Format55×70 cm – 2018
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Inge, Arni und Fritz
Oil on canvas
Format75×55 cm
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Alte Liebe
Oil on canvas
Format60×50 cm
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Kaffeeklatsch mit Bärenente
Oil on linen
Format45×52 cm
Sold
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